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Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Franz Kafka was born on 3rd July 1883 in Prague, then in Bohemia, the eldest of 6, into a middle-class Jewish family. Life for the young Kafka and his passion for literature was often made an ordeal by his over-bearing and domineering entrepreneur of a father. His literary works are few in number but towering in influence. His masterpieces include ‘The Trial’, ‘The Metamorphosis’ as well as a number of short stories which reveal facets of humankind that truthfully could only be born from Kafka’s brain and pen.

Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia. His family life was difficult; his father was strict and overbearing, but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’. Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.

Frederick George Loring was born in 1869. He was an English naval officer and writer, and an early expert in wireless telegraphy. As a writer his talents extended to both poetry and the short story; ‘The Tomb of Sarah’ being a classic of the genre. He died in 1951.

Hector Hugh Munro, more familiarly known by his pen-name ‘Saki’, was born in what was then Akyab in British Burma on 18th December 1870. His father was an Inspector General for the Indian Imperial Police, and his mother the daughter of a Rear Admiral. After a stint working in Burma with the Indian Imperial Police, Saki decided to move to London to make a living as a writer. Initially he wrote as a journalist for a number of newspapers and magazines before attempting an historical study, ‘The Rise of the Russian Empire’, whose real value lay in directing him to writing short stories instead.

They began as Johnny and the Moondogs, and they weren't very good. But these teens who loved music more than anything kept working at their craft and playing on any small stage they could find. And eventually they became the most recognizable, most influential rock and roll band of all time. How? Through dedicated teamwork, shared passion, and love. They knew that the best music is the music you make together!

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821 to distinguished multi-ethnic parents from a Lithuanian background. His childhood years were at the family home in hospital grounds which also contained an orphanage, an insane asylum and a cemetery for criminals. The young Fyodor often disobeyed his father by talking to the ill in the hospital gardens. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. As he began his next work he was arrested and incarcerated for treason and participation in the political and literary Petrashevsky Circle.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sometimes we want to be a little scared when we hear a story. Our nerves to tingle, the hair on our necks to gradually stand up. We can suspend our own reality for a while as authors lay out their wares of anxiety, worry, tension, and then increase the levels one by one until we are gripped by forces that make us afraid. It’s a real feeling. In this volume story after story assault our senses with mere words, with thoughts and descriptions that twist and deceive, with outcomes that we dread and shudder at the thought of.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.