Showing results by narrator "Justin Avoth" in All Categories

The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, breaking point has arrived. A growing number of people can no longer afford to start families let alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality tv show.

Olivia: 22 years old. No history of running away. Last seen on CCTV, entering a dead-end alley. And not coming back out again. Missing for one day and counting. Julia is the detective heading up the case. She knows what to expect. A desperate family, a ticking clock, and long hours away from her children. But Julia has no idea how close to home it's going to get. Because her family's safety depends on one thing: Julia must NOT find out what happened to Olivia—and must frame somebody else for her murder.

From Stoics to existentialists, in philosophy and literature, discussion of the philosophy of life—of love and death, of courage, fortitude and wisdom—challenges us all to think about what kinds of life are truly worth living. In this summation of a lifetime thinking and writing about this great question, A. C. Grayling explores with clarity and depth the ideas that each of us must use in answering it for ourselves.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Ever since its publication in 1651, Thomas Hobbes' Leviathan has unsettled and challenged how we understand the World. Condemned and vilified by each new generation, Hobbes' cold political vision continues to see through any number of political and ethical vanities. In his wonderfully stimulating book The New Leviathans, John Gray allows us to understand the World of the 2020s with all its contradictions, moral horrors and disappointments through a new reading of Hobbes' classic work.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-20th century race, religion and politics.

Drawing on decades of research into decision-making under uncertainty, Gerd Gigerenzer makes a compelling case for the enduring importance of human discernment in an automated world that we are told can - and will - replace our efforts. Filled with practical examples and cutting-edge research, How to Stay Smart in a Smart World examines the growing role of AI at all levels of daily life with refreshing clarity. This book is a life raft in a sea of information and an urgent invitation to actively shape the digital world in which we want to live.

Unexpectedly thrust into the role of the Ferryman, young Milo is tasked with taking the lingering Dead across the dark sea to the Island of the Broken Tower, where they can finally move on. On his first perilious journey, his ghostly passengers include his own father and the teenage daughter of the Lord of Merlank, who is unprepared to give her up and follows in pursuit in a bigger boat, filled with armed men and two dark magicians at his command. Milo must face untold traps, dangers and fears as he carries his ghostly passengers across secret seas.

Modigliani. Unarguably one of the greatest artists who ever lived. Modigliani's women. Those elongated, haunting figures, as eternally provocative as the Mona Lisa. And Modigliani's missing masterpiece. A priceless lost treasure - or a chillingly dangerous game? In Ken Follett's gripping thriller The Modigliani Scandal, up and coming artist Peter Usher has still to exhibit anywhere, still to make even the most modest mark on the London art scene.

When Lena helps her teenage daughter gather sounds for her media studies project, she doesn't expect her boom-microphone to pick up a conversation between her neighbours, the Morgans. And she’s certain they are planning a crime. Her family and friends tell her that she must have misheard. After all, the Morgans are a well-respected, upstanding couple in their early sixties. They’ve never been in trouble with the law. Yet Lena can’t stop thinking about it. Because what if she hasn’t misheard? What if she can prevent something awful happening?

A whirlwind of unrepentant nihilism charged with raw, colloquial language that shocked the listeners of its day, Journey to the End of the Night is a bitter symphony of violence, human cruelty, greed and chaos. Based on the author’s life, Journey follows the antihero Bardamu, Céline’s alter ego, in a relentless adventure that pulls us further and further into an endless night.

It is 1895. A high-speed steam train is the emblem of progress. Industry and invention are creating ever greater wealth and poverty. One autumn day an anarchist boards the Granville to Paris Express. The train carries others from all over the globe: the railway workers who have built a life together away from their wives, a little boy travelling alone for the first time, an artist far from home, a wealthy statesman and his invalid wife, and a young woman with a secret hidden under her dress.

In the next ten years there will be an unprecedented wealth transfer from the so-called ‘baby boomer’ generation to the young. Never before will so much money – in housing, land, stocks and cash – be shifted so suddenly from one generation to the next, and never before does the next generation feel so differently about the future of the planet and of capitalism. Ken Costa works with this new generation and shows how environmental concerns and anxiety about equality and diversity are more than mere slogans; instead they are driving the future of the markets.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

When disgraced former police officer Harriet Kealty discovers a plea for help in the margins of a second-hand book, she sets out to unravel a mystery that quickly leads her to confront some uncomfortable ties to her own life, including her ex-lover Ben. Following the deaths of his close friends, Ben became an adoptive father to their orphaned son Elliot. But Harriet suspects that Ben knows more about these deaths than he’s willing to say....

Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centres of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years. Her ideas unlock the philosophies of the past and explore key events that show us how to make sense of our lives today.

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

February, 1945. Eight months have passed since the D-Day landings, when the Allies gained their foothold in North-West Europe. Since then the British Army has fought near continuously against the German military. Now, they stand ready for their greatest test: the battle for the German homeland. Drawing on the archive of the Imperial War Museums, this often-overlooked period of the war is brought vividly to life in the words of British soldiers who were there, from war-weary men who have survived many months of combat to new recruits facing Hitler's fanatic Panzer divisions for the first time.